12.27.2009

“Avatar” vs. The American Dream: The Value of Trees


I saw “Avatar” this morning with 9to5poet in 3D on an IMAX screen with great reluctance and with much peer pressure from friends and family. I’m sure that someone else will rave about the special effects and the breakthroughs in 3D technology, the powerful presence of Sigourney Weaver, the haunting voice of Wes Studi as Eytukan, and the eroticism of the “other,” all of which were amazing; however, (and even though I enjoyed those aspects of the movie) I wish I wouldn’t have seen it. 

Avatar” seems to me to be an excellent rewrite of “FernGully: The Last Rainforest” (1992), in which the magical inhabitants of the metaphorical Amazon Rain Forest must leave their tree before “progress” and “profit” burn it down to make way for a road. Both movies have strong environmental statements to make: nothing stands in the way of progress and profit. However, “Avatar” seems to believe that a compassionate few can make a difference, and that progress and profit can be stopped by rallying the troops and fighting back. If history has any lesson to teach, it is that to stand in the path of progress to is to die.

I recently came across an example in The Norton Anthology of American Literature Volume A. In “The Relation of Alvar Nunez Cabeza de Vaca,” Cabeza de Vaca records the interactions of a group of Christian slavers and his native guides and entourage:

To the last I could not convince the Indians that we were not of the same people as the Christian slavers. Only with the greatest effort were we able to induce them to go back home. We order them to fear no more, reestablish their towns, and farm.

[...] 

They [the Christian slavers] took us through the forest and wastes so we would not communicate with the natives and would neither see nor learn of their crafty scheme afoot. Thus we often misjudge the motives of men; we thought we had effected the Indian’s liberty, when the Christians were but posing to pounce.

c. 1536 – 40

- NAAL, Vol. A. (p. 69 – 70)  

Cabeza de Vaca could not have written any truer words when he penned, “Thus we often misjudge the motives of men,” so to in “Avatar,” when the moviegoer learns that shareholder profits will once again trump the value of a native people group, and their way of life that values harmony with nature and creation as the key to life. There is no profit in harmony with nature and creation; there is no progress if you accept that nature is sufficiently advanced technology, superior even, because it doesn’t leave us (humans) anything to do other than admire, cultivate, and protect it.

Take for example a tree. I know that everyone see a different, their favorite species of tree when they see the word tree, so imagine with me the Great American Elm tree with its wide trunk and expansive canopy. Imagine my childhood street in Lincoln, Nebraska, an elm in everyone’s front yard, two or three in everyone’s back yard. Not only were these great climbing trees with their study branches, but they also provided critical habitat for squirrels, songbirds, a myriad of insects, and who knows how many single-celled organisms. Now imagine all those trees disappearing from my childhood block, which they did because of their susceptibility to Dutch Elm Disease spread by the invasive species, the elm bark beetle, which was sad, but not the point here.

Not only did all those fuzzy woodland / cityland creatures loose their critical habitat, but we lost our natural air conditioners and air purifiers. One good shade tree can do the work of three air conditioners; next time you are standing in the hot sun and need to cool down, don’t run indoors, just step into the shadow of a tree. On average, the shadow of a tree is between 10 to 20 degrees cooler than standing in direct sunlight. And one thing that I’ve learned by living in Minneapolis, MN, is that our air quality is worse in the in the winter months, when our tree, our natural air purifiers have dropped their leaves.

However, those are only the benefits that a tree provides above ground. Below, a tree's roots hold soil tight preventing erosion. In the film “Flow: For Love of Water (2008),” the Chinese learn the hard way that all those trees on their rolling hills and mountains were holding back biblical tides of flood water. These roots systems also provide habitat and nutrient cycling that we take for granted when we look at a tree and see only the product that it can become or as an obstacle to overcome. 

Now let’s go back to “Avatar,” for just a moment, imagine the Home-Tree that provided safe haven for an entire tribe, the or The Tree of Souls that connects Pandora’s people to the memories of their ancestors. These trees are invaluable. However, they stand in the way of progress and profit. Home-Tree stands on top of the richest source of unobtainium, the precious mineral that sells for some astronomical amount per kilo. Again, the question is begged: which is more valuable Tree-Home or unobtainium (unobtainium = the massive profits needed to drive progress).

So why is it that we always choose progress and profit over native people groups and natural technology? Well, in my opinion, it is the American Dream: a house, a yard, a dog, two cars and a boat, and two to three children. The American dream takes a lot of inputs (Natural Capital) to support. We, The United States of American, use more of everything (energy and fossil fuel to name the two most important) per capita than any other nation in the world to support our way of life. Our way of life is envied (for the most part) by the developing nations. There are approximately 330 million people living in the United States. I can’t imagine what it would take if there were 6.5 billion people living just like us. When I took the quiz at www.myfootprint.org, I found out that if everyone of those 6.5 billion people lived just like I do, we (the human race) would need the natural resources equivalent to 4.5 earths (the US average is 6.5 earths).

To end this rant, I would like to ask forgiveness for being angry when I see that in “Avatar” a compassionate few can make a difference, stand up to the soulless machine of profit and progress. How do you stand in front of 6.5 billion people and say that our collective desire is wrong, and that the dream of a house, a dog, two cars and a boat, and children is detrimental not only to future generations, but to our planet. How do we reinvent the dream? When do we begin to see that any techo-bobble pales in comparison to Mother Nature’s miraculous inventions? Maybe it is the misanthrope in me, but I believe that there is no hope for humanity because we are unable to learn from our historical mistakes and invent a future where humanity's greatest idea, the economy, and nature can coexist.

- Just you wait: round 1 went to the native people of Pandora, but progress and profit will be back, this time with smallpox laced blankets.

12.21.2009

Top 5 list’s 2000 to 2009

I thought that I would take a stab at joining the “best of ____ list” makers that are popping up all over this time of year. So, here are a few of my TOP 5’s for the decade (2000 – 2009):

Top 5 Novels

1. Snakes and Earrings (2005) by Hitomi Kanehara
2. The Swarm (2007) by Frank Schatzing
3. Move Under Ground (2004) by Nick Mamatas
4. American Gods (2002) by Neil Gaiman
5. End of the Alphabet (2007) by C. S. Richardson

Top 10 Short Story Collections or Anthologies

1. The Toughest Indian in the World (2001) by Sherman Alexie
2. Overclocked (2007) by Cory Doctorow
3. Little Black Book of Stories (2003) by A. S. Byatt
4. Rewired (2007) edited by James Patrick Kelly
5. The Space Opera Renaissance (2007) edited by David G. Hartwell

Top 5 Non-fiction books

1. Hot, Flat, and Crowded (2008) by Thomas L. Friedman
2. 1776 (2005) by David McCullough
3. An Inconvenient Truth (2006) by Al Gore
4. The Immortal Class (2001) by Travis Hugh Culley
5. If Chins Could Kill (2001) by Bruce Campbell

Top 5 Graphic Novels

1. Little White Mouse Omnibus Edition (2006) by Paul Sizer
2. Shooting War (2008) by Anthony Lappe
3. Fall of Cthulhu (2008) by Michael Alan Nelson
4. Burnout (2008) by Rebecca Donner
5. Comic Book Tattoo (2008) edited by Rantz A. Hoseley

I’m sure that there are other books that should have been included in my list, but this is my list, and these are the books that have helped to shape my ideas about the last 10 years. 

12.06.2009

The "Avatar" Subplot: The Ugly Future of Product Placement

I enjoy mysteries solved through science, albeit sensationalized and heavily fictionalized representations of science, in the shows CSI, CSI: New York, House, Criminal Minds, and Bones. These are the shows that captivate my imagination, and my desire to one day save someone, be a hero, using my mind.  The characters give me hope by providing heroic archetypes mostly devoid of social skills, beauty, and brawn, while instead learnedness is unmockingly valued.

Perhaps I’m making too much out of nothing, but in Bones: “The Gamer in the Grease.” Season 5: Ep. 9, which I just finished watching on Hulu with left over at my desk, product placement was elevated from quick mostly benign references to surgery sodas and sports’ drinks to a subplot: the future release of James Cameron’s movie, “Avatar.” Dr. Jack Hodgins, Dr. Lance Sweets, and Colin Fisher (the Goth intern) are all excited to see the upcoming movie (as admitting am I). Fisher played the odds, won three tickets to an advance screening of “Avatar,” and invited both Hodgins and Sweets; but there is a catch.

Our three fanboys need to compete with other expectant fans for seats by waiting in one of those oh-God-I-have-to-have-it-first lines. They devise an elaborate system of watches, where one will hold their place in line while the other two are at work covering for the line holder. Like all true fans of anything, the waiting is all consuming, so the two who are at work find ways to participate by extension: using Angela Montenegro’s high-tech workstation to watch the trailer. The expected happens: they are caught, by Angela who kicks them out of her lab, even after Sweets attempts to justify their fanboy antics by weakly analyzing the film’s use of highly rendered and realistic animation.

After being caught, our fanboys attempt to better separate work and recreation, so the subplot must also shift. While Sweets is taking his shift holding their place in line, he is confronted by a sultry tattooed sex fend who lifts up her shirt and asks, “Would you like to see my tattoos?” However, Sweets is in a committed relationship and eventually resists her aggressive and over-the-top feminine whiles. Enter Fisher who has no relational commitments and you have get sex in a tent in a fanboy line (literally, a dream come true). What this tells me is that if I’m excited about “Avatar” and wait in line all day that there is a good chance that I will get to score with a sultry tattooed sex fend (or more likely, I would simply be surrounded by above average female eye candy).

If this it is starting to sound like the “Bones: Ep. 9” plot was solely focused on “Avatar,” it is because the subplot was so distracting to main plot, solving a murder, that it was difficult to focus on maintaining my suspension of disbelief. The heavy handed sales pitch, GO SEE “AVATAR” NOW, was so jarring that I was unable to enjoy the fiction, the story, the dream that only narrative can provide. It is my sincere, but diluted hope, that this type of intrusive, almost anachronistic form of marketing does not gain momentum or a foot hold in the TV industry. Sorry to say, I’m going to have to log this under: one more reason to never watch TV again.